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      <image:title>Blog</image:title>
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  <url>
    <loc>http://www.incendiarytraces.org/articles/2018/3/16/the-disposition-of-drones</loc>
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    <lastmod>2018-03-16</lastmod>
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    <loc>http://www.incendiarytraces.org/articles/2017/9/8/the-eu-border-frontex-to-the-hellenic-coast</loc>
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    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
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    <loc>http://www.incendiarytraces.org/articles/2017/9/8/the-intimate-technology-of-remote-vision</loc>
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    <lastmod>2017-09-08</lastmod>
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  <url>
    <loc>http://www.incendiarytraces.org/articles/2017/5/10/view-from-the-top-plein-air-surveillance-at-point-mugu</loc>
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    <priority>0.5</priority>
    <lastmod>2018-04-13</lastmod>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Joseph Bolstad | Sketch of Laguna Peak Tracking Station, 2016 | Colored pencil on paper</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Hillary Mushkin | Sketch of Laguna Peak Tracking Station, 2016 | watercolor and ink on paper</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>View from Chumash Trail of a shooting range at Naval Air Station Point Mugu | Photo: Jena Lee</image:caption>
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    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Stages of missile interception by the Arrow system, which has been tested at Point Mugu several times since 2004. The picture shows a hostile missile trajectory and that of the "Black Sparrow" air-launched target missile used in firing tests. | Image Source: Wikipedia</image:caption>
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    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Jena Lee | Sketch of the Ridge with Laguna Peak Tracking Station, 2016 | Marker and pencil on paper</image:caption>
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    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Richard Wheeler | View of Laguna Peak Tracking Station, 2016 | Composite afocal digital photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1494442897822-GESHIM9MGZN5J0LXU33J/Collins.Pt+Mugu+Sketch_edited.jpg</image:loc>
      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Conor Collins | Sketch of Laguna Peak Tracking Station, 2016 | Pencil on paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1494442900892-B40CXBE8FR2MTISCMF68/pt.mugu.jpg</image:loc>
      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Lesley Goren | Sketch of Laguna Peak Tracking Station, 2016 | Marker, ink and pencil on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1494442932704-20FWPCTH66WIIXWL8MOD/StacieMeyer_PtMuguSketch.jpg</image:loc>
      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Stacie Jaye Meyer | Environmental Capture at Point Mugu, 2016 | Found charcoal on paper</image:caption>
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    <image:image>
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      <image:title>Blog - View from the Top: Plein-Air Surveillance at Point Mugu</image:title>
      <image:caption>Participating artists at Point Mugu (L to R): Sara Voden, Hillary Mushkin, Stacie Jaye Meyer, Leslie Goren, Richard Wheeler, Joseph Bolstad, Jena Lee | Photo: Conor Collins</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2016/03/10/incendiary-traces-at-the-c4i4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
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      <image:title>Blog - Reconnaissance: Inside the Panopticon</image:title>
      <image:caption>Fig. 3: Panoramic view of the C4i4 from the parking lot rooftop | photo by Paulina V. Pulido</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2015/9/11/machines-for-training-military-performance-and-embodied-knowledge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Marines and role players playing Afghani army, police, and village elders, talk during an exercise during an Advisor Training Course at Twentynine Palms. Photo by Lance Cpl. Andrew Thorburn, United States Marine Corps.</image:caption>
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    <image:image>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Navy Explosive Ordinance Disposal operator practices moving and shooting. | Photo by Mass Communication Specialist 1st Class Mario A. Quiroga, United States Navy.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441965144486-BJMFTC7QCSCE69635K60/image-asset.jpeg</image:loc>
      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Israeli soldiers participate in training exercises at the Urban Warfare Training Center, Tze'elim, in the Negev Desert in Israel. The facility was built by the United States Army Corps of Engineers. The star-shaped hole in the wall to the left of the soldiers is meant to simulate holes that Israeli soldiers blast through walls. Photo by Cpl. Zev Marmorstein, Israel Defense Forces Spokesperson's Unit.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Range 220. | Photo by Staff Sgt. Carl Atherton, United States Marine Corps.</image:caption>
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    <image:image>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>An aerial view of Range 220. | Photo Google Maps.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Marine fires a FGM-148 Javelin missile at simulated enemy armored targets during a combined-arms training exercise at Al Asad Air Base, Iraq, April 3, 2015. | Photo by Cpl. Carson Gramley, United States Marine Corps.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A section of the King Abdullah Special Operations Training Center in Jordan. Photo from General Dynamics Information Technology.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Chicago by artists Adam Broomberg and Oliver Chanarin. Exhibition view of "Unstable Territory", CCC Strozzina, Palazzo Strozzi, Firenze, 2013 Photo copyright CCC Strozzina, Fondazione Palazzo Strozzi, Firenze Photo by Martino Margheri, 2013.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441964568324-DN6Q80RVE9TWP7KAAO29/image-asset.jpeg</image:loc>
      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Marines in an exercise at Range 220. | Photo by Cpl. Jeremiah Handeland, United States Marine Corps.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Actors Joel Edgerton (left) and Chris Pratt (right) practice room clearing at the King Abdullah Special Operations Training Center in Jordan in 2012 while preparing to film Zero Dark Thirty. Still from Columbia Pictures electronic press kit.  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441964707576-ZYFNRBL9BS8MJS47LV0X/image-asset.jpeg</image:loc>
      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Marine Corps recruit instructs another how to organize his things. Photo by Cpl. Octavia Davis, United States Marine Corps.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441964793017-5RZGZ9EGK5Q7MYXHJETN/image-asset.jpeg</image:loc>
      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Marine Corps recruit pushes the feet of a simulated casualty while moving through a training event at The Crucible, Sept. 12, 2014, at Marine Recruit Depot Parris Island, S.C. The Crucible is a 54-hour field training exercise that tests everything a recruit has learned until that point in recruit training and includes a total of 48 miles of marching. It simulates typical combat situations with strenuous testing, hardship and the deprivation of food and sleep. Photo by Tech. Sgt. Jason Robertson, United States Air Force.</image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Marine instructs a role-player during a simulated checkpoint drill at Range 220 in Twentynine Palms. Photo by Photo by Cpl. Joseph Scanlan, United States Marine Corps.  </image:caption>
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    <image:image>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>A Marine Corps recruit adjusts another recruits uniform before the recruit’s boot camp photo is taken at Marine Recruit Depot Parris Island, S.C. Recruits are fitted with a mock uniform while their photos are taken. Photo by Cpl. Caitlin Brink, United States Marine Corps.  </image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Tunnels through internal walls, probably in Nablus, circa 2002.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441964471399-Z4393J0ETN426YQUSPH6/image-asset.jpeg</image:loc>
      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Marines train with projected avatars in live-fire room clearing training at the Battle Simulation Center at Marine Corps Base Camp Pendleton, CA. | Photo by John F. Williams, United States Navy.</image:caption>
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      <image:title>Blog - Machines for Training: Military Performance and Embodied Knowledge</image:title>
      <image:caption>Marines participate in a room clearing exercise at the King Abdullah Special Operations Training Center in Jordan in 2010. From gearpatrol.com December 12, 2013 article “Defense Journal: Kings of a Special Ops Playground” by Scott Packard.</image:caption>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2015/9/11/desert-deployment-southern-californias-world-war-ii-desert-training-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>While few structures of the Desert Training Center remain, various organizations have memorialized its location. This plaque rests at the General Patton Memorial Museum in Chiriaco Summit, California. Photograph by Scott Seekatz.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Patton initially refused women at the DTC, preferring that soldiers focus solely on training. Eventually, women worked as nurses and secretaries, especially at the DTC’s Camp Young Headquarters. Here a nurse from the Camp Young Station Hospital poses on the left. To the right a woman hugs Santa outside of the Station Hospital’s Officer’s Club. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>The Bureau of Land Management recently utilized drones to survey some of the DTC camps. Left, one of the BLM Drones prepares to complete an aerial survey. Right, an aerial view of the chapel at Iron Mountain, pictured above. Aerial surveying allows the BLM to record current conditions of archeological sites and note building foundations and even smaller objects, many of which have been lost when people take artifacts from the area, despite laws against removing such items. Courtesy of the Bureau of Land Management, Needles Field Office.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>U.S. Army Photograph, 1942. Courtesy of the General Patton Memorial Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441961657510-NKIQDDW4BJ6PSRJCPGXU/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Members of the 68th Tank Battalion of the 6th Armored Division stop for a drink in 1943. Leadership believed (erroneously) that rationing could condition bodies to use less water, especially if battle limited water supplies. Men often had one gallon per day for all their needs, including drinking and bathing. Photography by Olan Hafley, courtesy of the General Patton Memorial Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441962357248-V1R9ZMXACNZODR036NON/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Curley’s Bar in Rice, California full of soldiers from the Desert Training Center. An influx of soldiers drastically impacted local communities; while business increased, price gouging affected troops and locals alike. Thompson photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441960973644-LEAUAT6X1FPJA004YQ3G/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Here soldiers, and likely local press and dignitaries, listen to an address by Patton at the Desert Training Center. Patton’s larger than life personality and premature death contributed to both locals and troops’ emphasis on the general in DTC memorial attempts. Courtesy of the General Patton Memorial Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442000347846-D8PHNHRA35AVEATTEUWX/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>In the 1980s the BLM asked soldiers who served in the Desert Training Center to record their memories and experiences. Correspondence poured in from around the nation. Here a Walter Hennessey recalls his time at the Desert Training Center and how it prepared him for combat in North Africa. Courtesy of the Bureau of Land Management, Needles Field Office.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>The varied terrain of training grounds allowed for troops to practice their specialty in landscapes similar to those encountered abroad. Here army engineers practice constructing pontoon bridges across the Colorado River. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442000001531-RLKX2ES8NLELJKXRD8XD/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>This image, by Captain Ray “Swede” Fernstrom, is identified as a typical desert base in North Africa. Information indicates the photo on the right was also taken in North Africa. Note the striking landscape similarities to the photograph of the Desert Training Center below. Courtesy of the General Patton Memorial Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441962307773-7YWBCSFQYL5GUJKTSKSS/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Officers listen to reviews of a maneuver held five miles from Needles, California at the Desert Training Center in September 1942. U.S. Army photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Soldiers practice with field artillery near Needles, California in September 1942. U.S. Army photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>A theater operated inside the Desert Training Center, though many troops saw films in the nearby communities while on leave. Other entertainment options included baseball leagues, USO shows, and dances though much of soldiers’ free time was spent in the field, playing cards or writing home. U.S. Army photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>View near Chiriaco Summit, California, then known as Shaver Summit, once part of the Desert Training Center. Screen shot of maps.google.com.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>While the divisional camps held larger canvas tents that slept multiple men and had some of the comforts of home (though no electricity or running water), troops spent much of their time in the field and thus in makeshift dwellings. To the left is a “maneuver home” constructed of ocotillo branches and brush. To the right, a soldier rests under a rudimentary tent. Note the bag of water hanging from the right side of the structure; it likely had to serve all of his drinking and bathing needs for the day. Some recalled using gasoline to try to prevent scorpions and snakes from crossing into their tents, but gas was scarce, especially while in the field. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Tanks are unloaded at the Indio rail yards in December 1942. The army’s use of the railroad disrupted both passenger and cargo transport; local rail yards experienced labor shortages throughout the war as keeping up with army supplies, equipment, and men seemed a never ending challenge. U.S. Army photography, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>The Desert Training Center/ California- Arizona Maneuver spanned three states, though the majority of divisional camps and the headquarters were located in California.  Area maps courtesy of the Bureau of Land Management, Needles Field Office.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Few permanent structures were constructed at the DTC, even wooden framed ones were designed to be temporary. Camp Young, which served as the DTC headquarters, housed a few of these structures, though they were torn down quickly after the war. Note the canvas tents to the left; these were far more common at the divisional camps. U.S. Army photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>The Desert Battalion and other groups like it bussed in young women to serve as dance partners and conversationalists for the soldiers stationed at the DTC. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1441961813579-AUE7I9LN4VF9UAVKWO4S/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Soldiers pose near a camouflaged tank at the Desert Training Center. Training allowed the army to better understand desert conditions and how to camouflage their equipment and men in sandy landscapes with sparse vegetation. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>General George Patton Jr. not only picked the location of the Desert Training Center but his goals and objectives had a lasting effect on the center, though he was only there for five months. Here Patton (touching table on the left) and other officers are initiated into the Veterans of Foreign Wars at the Desert Training Center. Courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Soldiers disembark at the Freda railroad siding, off what is now Highway 62.  Established railroad lines made the Desert Training Center ideal for transporting troops and equipment. U.S. Army photograph, courtesy of the General Patton Memorial Museum.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Troops march through the landscapes of the Desert Training Center. Photo by Bill Threatt, courtesy of the General Patton Memorial Museum</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>White soldiers relax at the Indio USO in June 1942. Black soldiers were segregated to subpar USO facilities, though the local black community worked hard to provide entertainment and recreation space for the troops. U.S. Army photography, courtesy of the General Patton Memorial Museum.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442000141998-B75V0FT7MDFNGKNXFBNQ/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>The outdoor chapel at Camp Iron Mountain is one of the few structures that remains. Left, photograph by Bill Threatt, courtesy of the General Patton Memorial Museum. Right, Bureau of Land Management Staff survey the remains of the Iron Mountain Chapel, courtesy of the Bureau of Land Management, Needles Field Office</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442000049967-5JS2LPJHEPZGX4S9CEC4/image-asset.jpeg</image:loc>
      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Though troops at the DTC often practiced with real tanks, simulated tanks like these were occasionally used during training. This skeleton would be mounted on a jeep and covered with fabric to reproduce the tank effect during maneuvers. Today the General Patton Memorial Museum houses this reproduction. Photograph by Scott Seekatz.</image:caption>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Troops often used rocks to line walkways or reproduce their insignias at the divisional camps. Left, cactus and rocks form Vs for the 5th Armored Division. U.S. Army photograph. Right, soldiers pose in front of a similar installation. Both courtesy of the General Patton Memorial Museum. Below some of the rock pathways and designs are still visible today. Courtesy of the Bureau of Land Management, Needles Field Office.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Desert Deployment: Southern California’s World War II Desert Training Center</image:title>
      <image:caption>Filmed in and near the Desert Training Center, Sahara not only featured Humphrey Bogart (kneeling at left) but also members of the Fourth Armored Division who trained at the DTC. Courtesy of Eve's Magazine and Kenneth Koyen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2015/9/10/imagining-global-war-popular-cartography-during-world-war-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 6 Harrison, One World, One War</image:caption>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 1 Here's Your Map</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442108878085-FVN9U6592I1DXZ36DYAJ/image-asset.png</image:loc>
      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 4 America in Center of World</image:caption>
    </image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 8 The War Week Feb 21</image:caption>
    </image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 12 Dymaxion map</image:caption>
    </image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 10 The War Week, Aug 16</image:caption>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 2 Map news 1942</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 3 Whole Globe a Battlefield</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442109030364-2JFI1KTV9BOQK8F7Z6VD/image-asset.png</image:loc>
      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 5 MapsGlobal War Teaches Global Cartography</image:caption>
    </image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 7 Harrison, Europe from the East</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 11 Dymaxion map</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1442109263436-P111I9CCLIIN4EJ0UCCF/image-asset.png</image:loc>
      <image:title>Blog - Imagining Global War: Popular Cartography during World War II</image:title>
      <image:caption>Figure 9 The War Week, Dec 13</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/9/22/sketching-simulated-battlefields-in-silicon-beach</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411694555495-QMXUBUNLKNIGRNKJEEKT/image-asset.jpeg</image:loc>
      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>A DICE-T market stand | Drawing by Eva Struble</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Engaging DICE-T characters, “Maahir has marital problems with Fereshtah” | Drawing by Jena Lee</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Overhead view of DICE-T Afghani village with locations of platoon members and resources | Photo by Jena Lee</image:caption>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Geotypical mosque and poppy fields in DICE-T | Photo of screen by Hillary Mushkin</image:caption>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Hillary Mushkin and Incendiary Traces participants with the ICT building behind them. | Photo by Jena Lee</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>View from a ridge in DICE-T with platoon leader’s location | Drawing by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411694604021-2BQFPUKGFUMWG0SLUNTU/image-asset.jpeg</image:loc>
      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>DICE-T Poppy Fields | Drawing by Eva Struble</image:caption>
    </image:image>
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      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>DICE-T navigation widget | Watercolor by Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411428557438-OHSPLI999YFSDWWWJWNP/image-asset.jpeg</image:loc>
      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Incendiary Traces participants were stationed at individual laptops | Photo by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411694402293-5LD022W83CPWMSJDU9YX/image-asset.jpeg</image:loc>
      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Bravemind’s  geospecific marketplace | Photo of screen by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411694644668-TZCBPBSZUV92CBSJGM5X/image-asset.jpeg</image:loc>
      <image:title>Blog - Sketching Simulated Battlefields in Silicon Beach</image:title>
      <image:caption>Afghani village in DICE-T | Drawing by Lesley Goren</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/9/22/visualizing-war-virtual-reality-simulations-and-physical-battlefields</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411425875085-SR5BVNNANCV1EUJTM9YC/image-asset.jpeg</image:loc>
      <image:title>Blog - Visualizing War: Virtual Reality, Simulations, and Physical Battlefields</image:title>
      <image:caption>Soldiers use the Mobile Counter Interactive Trainer | Photo: USC Institute for Creative Technologies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411425346021-99XAE1DG7GPIB627V9AH/image-asset.jpeg</image:loc>
      <image:title>Blog - Visualizing War: Virtual Reality, Simulations, and Physical Battlefields</image:title>
      <image:caption>Predator Mission Aircrew Training System (PMATS) pilot/payload operator workstations | Photo: General Atomics</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Visualizing War: Virtual Reality, Simulations, and Physical Battlefields</image:title>
      <image:caption>Call of Duty: Black Ops 2 | Source: PC Gamer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411425761162-V47084D5OZ43P4RBEVQW/image-asset.png</image:loc>
      <image:title>Blog - Visualizing War: Virtual Reality, Simulations, and Physical Battlefields</image:title>
      <image:caption>CLAW II mission planning software is used by unmanned aircraft operators identify and locate targets | Photo: General Atomics</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1411426065508-YSQB5JZWTQBUEZ6S7VKN/image-asset.jpeg</image:loc>
      <image:title>Blog - Visualizing War: Virtual Reality, Simulations, and Physical Battlefields</image:title>
      <image:caption>U.S. Army Soldiers conduct virtual dismounted training using a military alternative to the Virituix Omni and Oculus Rift | Screenshot from ArmyVideoTube</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/7/21/artists-surveillance-and-patrol-at-the-border</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405983100463-U01NNNR7PZ8GW1I43S2W/image-asset.jpeg</image:loc>
      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Fabric used as shoe covering by a border crosser in an attempt to avoid leaving footprints that could be tracked by border agents | Photo by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405983337112-F3GAUSOY51ODIBZLXLFD/image-asset.jpeg</image:loc>
      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Portrait of U.S. Border Patrol Agent Kris Stricklin | Drawing by Amy Adler</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>View of the southern border wall | Drawing by Jena Lee</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Explore a map of our 6 mile route between the border walls | “A Selection of Mapped Utterances, 04.03.2014” (detail) by Elizabeth Chaney - View Elizabeth Chaney's entire map here.</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>A view from between the U.S. border walls of a Tijuana neighborhood known as Colonia Libertad, one of the last stops in Mexico for many border crossers | Photo by Jena Lee</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Nichole Speciale observing and drawing atop Bunker Hill | Photo by Jena Lee</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>A 1973 San Diego sector U.S. Border Patrol log book | Photo by Jena Lee</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>A view of the Pacific from Bunker Hill at the US-Mexico Border | Watercolor by Hillary Mushkin</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The view from Bunker Hill | Drawing by Nichole Speciale</image:caption>
    </image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Surveillance towers are positioned every 200 feet along the border | Photo by Jena Lee</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Eva Struble examines a Border Patrol log book from the 1973 | Photo by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405982674184-F3XTHEQO0QTFXCSOTUXR/image-asset.jpeg</image:loc>
      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Border crossers often use Sawzalls to cut into the mesh of the border fence as evidenced by the many scars and patches along the northern wall | Photo by Jena Lee</image:caption>
    </image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Agent Stricklin with map of the San Diego Border Patrol sector | Photo by Jena Lee</image:caption>
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    <image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Left: Portrait of Agent Dan Smoak; Right: Ant trail on border | Photos by Jacob Janco</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1410830369584-LROUL89DZSLXTIVQZ0B1/18_IMG_3773.JPG</image:loc>
      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Celeste Menchaca presents a brief history on the patrolling the US – Mexico border at Friendship Circle| Photo by Jena Lee</image:caption>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>View from Bunker Hill Looking West | Photo by Brian Ganter</image:caption>
    </image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Our driver, a CBP agent, looks out at Smugglers Gulch where a “spotter’s hut” is nestled in the hillside | Photo by Jena Lee</image:caption>
    </image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The US-Mexico Border looking west from Bunker Hill | Drawing by Eva Struble</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1410830931416-ECU2777F42PFDES61G1Q/19_Ganter01.jpg</image:loc>
      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>View from Bunker Hill Looking East | Photo by Brian Ganter</image:caption>
    </image:image>
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      <image:title>Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The border fence from above the estuary | Drawing by Amy Adler</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/7/21/dmdqor4hrzpxsrqqsndfkxsk01au5j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980231375-SOH1QWIJAB7UH3QLB03A/image-asset.jpeg</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Immigration station, Angel Island, California, 1915 | Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1481330191841-05V619HACFXSUJ8DKWSK/image-asset.png</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Mexicans quarantined at the Santa Fe Bridge Disinfection Plant, 1917 | USPHS, National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980431527-J20W2XMAVW28LZT8CQ3U/image-asset.jpeg</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Chinese "passing" as Mexican, 1907 | National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405979908875-Q1LU9F7RBI0HSQ2X3YYK/image-asset.jpeg</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Eugenics on the cover of Puck, a humor magazine, 1913 | Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405979976062-EKK7FPU8D86N8BN9UB1P/image-asset.png</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>A steam dryer sterilized border crosser’s clothing at the Santa Fe Bridge Disinfection Plant, 1917 | USPHS, National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980145910-FK0AZK74JFNQMUJ2S4LR/image-asset.png</image:loc>
      <image:title>Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Plans for the El Paso Disinfection Plant, 1916 | USPHS, National Archives</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/7/21/investigating-the-representations-of-battlespace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405964880613-4FWEESXD7JEVA72WAA2I/image-asset.jpeg</image:loc>
      <image:title>Blog - Investigating the Representations of Battlespace</image:title>
      <image:caption>Still from Virtual Reality Exposure Therapy at USC Institute for Creative Technologies | Photo by Jena Lee | 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405964091983-FOY4TOHJS7LXODVPQM0X/image-asset.jpeg</image:loc>
      <image:title>Blog - Investigating the Representations of Battlespace</image:title>
      <image:caption>Incendiary Traces at Friendship Circle, Border Field State Park | Photo by Maria Teresa Fernandez | 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405964197581-IHEL2TE5TAIKI5ELA9GZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Investigating the Representations of Battlespace</image:title>
      <image:caption>MOUT (Military Operations on Urban Terrain) at Twentynine Palms Marine Air Ground Combat Center | Photo by Nancy Buchanan | 2013</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Investigating the Representations of Battlespace</image:title>
      <image:caption>San Clemente Island Naval Weapons Testing Range | Watercolor by Hillary Mushkin | 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2014/5/5/reflections-on-drawing-the-national-security-landscape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317808552-AT8FBKCC44VGEEJW3RDI/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Guests at California's Biskra who arrived on Camelback</image:caption>
    </image:image>
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      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Untitled (Ellwood Shelling), Ralph Bradford, 1942 | Courtesy Paul Petrich, Jr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315727097-A3SEVI2UY27JZWRXB8WV/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Draw-in at the Los Angeles Air Force Base, 2011. | Photo by Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317592783-8AO6OQS9UT5U3FDVO4JF/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Draw-in at Border Field State Park, 2012. | Photo by Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315637905-J0G4W75UEQYGSLJ2AA7S/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>"Los Angeles, 2010," Hillary Mushkin, watercolor and pencil on paper, 9 x 11 inches, detail, 2011</image:caption>
    </image:image>
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      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>"USA-USA-USA #5," Scott Polach, site specific installation with PVC landscaping flags, 2012. | Photo by Scott Polach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317704578-8SPF2HAF74RAAPN6NSB9/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Twentynine Palms MCAGCC mock village. | Polaroid by Claudia Martinez Mansell, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315768734-IM4K43DTX8CMJMOIWKT7/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Figure 1 (Left): "California Calls You," ca. 1900. Union Pacific Railroad pamphlet, University of California-San Diego Special Collections; Figure 2 (Right): "California for the Settler: The Natural Advantages of the Golden State for the Present Day Farmer," ca. 1910. Pamphlet cover, Southern Pacific Company. Courtesy of the California State Railroad Museum Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315904875-WJM7EQPU0H4529H6GIKE/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>After Hodges: coastal profiles of So. CA's own San Clemente Island, Hillary Mushkin, watercolor and pencil on paper, 9 x 11 inches, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315668646-ZXX779I184JMDB0F0HH4/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>"Baghdad, 1991," Hillary Mushkin, watercolor and pencil on paper, 9 x 11 inches, detail, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317421407-W6RRCBBM3MC7X96INZ5L/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Border Monument No. 2 - N31º47.032' W106º32.239' | Photo ©2012 David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315885157-CXXALGRO8LGCHPRCFQ0X/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>View of the Islands of Otaha [Taaha] and Bola Bola [Bora Bora] with Part of the Island of Ulietea [Raiatea], William Hodges, oil on canvas, 345 x 516 mm, 1773. National Maritime Museum, Greenwich, London, Ministry of Defense Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315934706-D1O40AAXYMGNE8IK8TDM/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>"Undersea sonar recordings," Tom McMillin, sonar recordings, 8.5 x 5.5 inches, circa 1980. | Photo: Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317636422-ZFVORFY76FAMHDO3PV1P/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Twentynine Palms MCAGCC mock village, pencil on paper by Andy Wilcox, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399316981469-YUY6VA2TA8YXJ4AJFT88/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>Courtesy of Northrop Grumman Corporation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399317376964-UHTBW3TQ4YSOR4UCI2NP/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>John Weyss, "View from Emory's Monument South of the San Luis Springs Looking West across the Parallel of 31°20'," engraved by W.H. Dougal, ca. 1856. Plate from William Emory, "Report on the United States and Mexico Boundary Survey, 1857, vol. 1."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1399315978179-LAJ3HQ9Z66LE1HZQS4C3/image-asset.jpeg</image:loc>
      <image:title>Blog - Reflections on Drawing the National Security Landscape</image:title>
      <image:caption>"Radome, Northrop Grumman Space Park Drive Aerospace HQ," Hillary Mushkin, watercolor and pencil on paper, 9 x 11 inches, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/07/31/johnston-island-saturday-night</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387693689854-4BLB3ZS6JF8SABW1EMHN/3+06+A+Munitions+Cake.jpg</image:loc>
      <image:title>Blog - Johnston Island Saturday Night</image:title>
      <image:caption>Cake celebrating the destruction of all chemical weapons on Johnston Island, including Mustard Gas (H), Sarin (GB), and VX Nerve Agent | Photo : US Army</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/12/14/incendiary-traces-drawing-the-twentynine-palms-marine-corps-air-ground-combat-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267175468-V4G2EK1GLFHSSMZPV53O/6+19+C+Desert+Survival.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267561743-8135RHMWR1P2WVJJRM4Z/6+19+M+Photo+-+Nancy+Buchanan.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Nancy Buchanan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267725085-9R51GE5RYO1DF6H6BJOW/6+19+R+Photo+-+Scott+Polach.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Scott Polach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267407211-QIJJ3MHYIBI69DXDDIYN/6+19+H+Photo+-+Nancy+Buchanan.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Nancy Buchanan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267519008-QMJ6E6BTGF5BFZDPM4UF/6+19+L+Photo+-+Nancy+Buchanan.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Nancy Buchanan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267797852-Z1VXNZB6NRXUBKLY2SS7/6+19+U+Chine+coll%C3%A9+Print+-+Claudia+Martinez+Mansell.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Chine collé print by Claudia Martinez Mansell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267832637-WKHM5SN4NR8O2GJ3CVTR/6+19+V+Photo+-+Juliana+Spahr.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Scott Polach with surveyor's flagging tape | Photo courtesy of Juliana Spahr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267248294-D47ASU6EKWVF94P1AL2U/6+19+E+Photo.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267114996-T4YAX54JSW4O29LQT2FA/6+19+B+Photo.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Sarah McCormick Seekatz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267626758-XDX56E74QDM9Q4935AUW/6+19+O+Photo+-+Jena+Lee.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267479373-3SM568KJZ2K790LDO0YA/6+19+K+Polaroid+-+Claudia+Martinez+Mansell.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Polaroid by Claudia Martinez Mansell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267659914-GHMW4G0EOVZGU4JSC88X/6+19+P+Photo+-+Juliana+Spahr.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Juliana Spahr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267923748-CRAN47NHQOMT2YKXK55B/6+19+Y+Polaroid+-+Claudia+Martinez+Mansell.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Polaroid by Claudia Martinez Mansell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267209721-OFQLHDWJ1DU4QI9TUO68/6+19+D+Photo.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267464561-PJA6NO42WR1KBDJ6BGUI/6+19+J+Drawing+-+Flora+Kao.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Drawing by Flora Kao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267762151-KVNC1JFIWQ16834PNBG9/6+19+S+Photo+-+Hillary+Mushkin.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267856938-O2WFZ7MUK5SNA4880TCJ/6+19+W+Drawing+-+Andy+Wilcox.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Drawing by Andy Wilcox</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267423925-OADVI8YSY4XUD4DRT730/6+19+I+Polaroid+-+Claudia+Martinez+Mansell.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Polaroid by Claudia Martinez Mansell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267780763-3I7I398RSUX7LU536ULS/6+19+T+Photo+-+Hillary+Mushkin.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267255522-MQ381A02V8DP1C6MCV2L/6+19+F+Drawing+-+Andy+Wilcox.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Drawing by Andy Wilcox</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267394481-RQ7OZXEELQAR1F25XPQ3/6+19+G+Photo+-+Juliana+Spahr.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Juliana Spahr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267602175-K4L4DUSW2FXGM1FMR7XT/6+19+N+Photo+-+Juliana+Spahr.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Juliana Spahr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267675643-77LXZ5J0XHCPBVBENXO5/6+19+Q+Photo+-+Nancy+Buchanan.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Photo courtesy of Nancy Buchanan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391267906626-GIWQ3AG6LTLNT0XKD08W/6+19+X+Photo+-+Jena+Lee.jpg</image:loc>
      <image:title>Blog - Drawing the Twentynine Palms Marine Corps Air Ground Combat Center</image:title>
      <image:caption>Post-tour discussion. Sarah McCormick Seekatz on the right. | Photo courtesy of Jena Lee</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/02/26/the-simulators</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387600625218-UN2JPDT29ME5AFKPSWWF/6+18+A+Incendiary+Traces.jpg</image:loc>
      <image:title>Blog - The Simulators</image:title>
      <image:caption>29 Palms Marine Corps Air Ground Combat Center | Photo courtesy of Incendiary Traces</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387600644952-JKS1KWX9BPF9CFSLOZJI/6+18+B+Incendiary+Traces.jpg</image:loc>
      <image:title>Blog - The Simulators</image:title>
      <image:caption>29 Palms Marine Corps Air Ground Combat Center | Photo courtesy of Incendiary Traces</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/02/05/harem-girls-and-camel-races-middle-eastern-fantasies-in-the-deserts-of-southern-california</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398716171531-M5RQPRRRLKOPBLONEYU1/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Date Festival Publicity Shot, 1958 | Courtesy of Ivan Henry at The Circus Blog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670202756-VWJ66A9A6HZHAW7XTIFR/6+17+F+Date+Growing+in+the+Old+World+and+the+New.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>From Paul B. Popenoe, "Date Growing in the Old World and the New", West India Gardens, 1913</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398716284239-TQXLUY84J1D3C3DL4UPI/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Arabian Nights Pageant at the 2012 Date Festival | Photograph by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715829324-BQL3IAVDJWVC8ABKTIB4/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Undated Postcards of the Date Festival | Collection of the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387659101903-48C5D0GEL8GR9DEN52LV/6+17+B+Riverside+County+Fair+Program+Cover.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Queen Scheherazade and court from cover of Riverside County Fair and National Date Festival Official Program, 1975</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387606960065-RAGJYZ89WCU7IOE1V1A9/6+17+A+Riverside+County+Fair+Pamphlet.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Riverside County Fair and National Date Festival Pamphlet, 1952 | Courtesy of the California History Room, California State Library, Sacramento, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715656688-6N00H6QDY5OSU7OD8EHX/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: Intersection of Date and Cairo Avenues in Coachella, California; Right: The current Desert Fresh, Inc. building off of Highway 111 and 9th Street in Coachella, California (Formerly Imperial Irrigation) | Photographs by Margo McCormick</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387659198134-VLQYZHL4SNW26E3JTTE9/6+17+C+Date+Growing+in+the+Old+World+and+the+New.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>From Paul B. Popenoe, "Date Growing in the Old World and the New", West India Gardens, 1913</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670112369-2W6GG28O2UEMAQFVL0H4/6+17+E+Propagation+and+Culture+of+the+Date+Palm.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Details from Bruce Drummond's "Propagation and Culture of the Date Palm", USDA's "Farmers' Bulletin 1016", 1919 | Courtesy of Hathi Trust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715976817-X79WDCV15INLM2MVS2ZR/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Advertisement for the Indio Municipal Golf Course from the Riverside County Fair and National Date Festival 1975 Official Program | Collection of the Author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715784348-8M5ZZMLAKLK4OQ0EDR8R/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>First International Festival of Dates Pamphlet, 1921 | Courtesy of the Coachella Valley History Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715866049-TZARSUILWA1OOOQ1LU92/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Advertisement for Alphy's Family Restaurant from the Riverside County Fair and National Date Festival 1975 Official Program | Collection of the Author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387660309595-2OEN4XI2TVEEDG9OT4F7/6+17+D+Date+Growing+in+the+Old+World+and+the+New.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>From Paul B. Popenoe, "Date Growing in the Old World and the New", West India Gardens, 1913</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715438433-9C63U8LAB8CEXWEEDG4F/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Date mural detail at the corner of Miles and Oasis in Indio, California | Photograph by Margo McCormick</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387671419776-UYRCHRCJZ5EEY1TH8XOG/6+17+N+Arab+Marching+Band.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>"Arab Marching Band" from the Coachella Valley Union High School Yearbook, 1953 | Collection of the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387671354598-GSAK43XQA93T657WYJCB/6+17+M+Coachella+Valley+High+School.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: Mural from Coachella Valley High School | Photograph by Amanda McCormick; Center &amp; Right: Images of Coachella Valley High School's mascots through the years with the current mascot in green. | Courtesy of the Coachella Valley Alumni Association. Learn more here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398716031780-FKOKVHTF0LUA127I5Q6D/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: Camel and rider from the 2010 Date Festival Camel Races; Right: Sand Sculpture from the 2011 Date Festival. | Photographs by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398716095046-NFMQ6CEO3YZ4X5VAMIBM/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: Indio Scenic Guide Map, circa 1975; Middle: Riverside County Fair and National Date Festival Premium List, 1953; Right: Riverside County Fair and National Date Festival Pamphlet, 1950 | Courtesy of the California History Room, California State Library, Sacramento, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398715579953-GUS2VN0KDMGMJLAEMG3W/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: Arabian Gardens Trailer Park in Indio, California. Note the Arabian inspired pool house in the background; Right: Map of Arabian Gardens Trailer Park in Indio, California. Note the Arabian inspired street names like Aladdin Drive and Bedouin Avenue. | Screen shots from maps.google.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670552781-3CSP56KFHCRKARVRN8M6/6+17+H+The+Sunset+Route+and+Scenic+Wonders+of+Arizona.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>From "The Sunset Route and Scenic Wonders of Arizona from El Paso, Texas to Los Angeles, California via the Southern Pacific", Van Noy-Interstate Co, 1921 | Courtesy of Braun Research Library, Autry National Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670947268-S6WNKVLVSYJSBGDI3DA1/6+17+K+Exhibitions+at+San+Bernardino+Agricultural+Expo.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Exhibitions at San Bernardino Agricultural Expo, undated | Courtesy of Braun Research Library, Autry National Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670498546-O55ASW49YJIFN522YWJB/6+17+G+Date+Growing+in+the+Old+World+and+the+New.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>From Paul B. Popenoe, "Date Growing in the Old World and the New", West India Gardens, 1913</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670869036-JELXUBUV9W9CNZ45NLUX/6+17+J+Longs+Palm+Ripened+Deglet-Noor+Dates.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Long's Palm Ripened Deglet-Noor Dates from the Coachella Valley Pamphlet, 1948 | Courtesy of the California History Room, California State Library, Sacramento, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387670775612-GHIBLNV91RXENJJHLB6J/6+17+I+Panama+Pacific+International+Exposition.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Pamphlet distributed at the Panama Pacific International Exposition (World's Fair) in San Francisco, 1915 | Courtesy of the California History Room, California State Library, Sacramento, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1398716219442-ODTYUPFYMD60HI4Y43RI/image-asset.jpeg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>Left: University of California Agricultural Extension Exhibit at the 1948 Date Festival; Right: Costumed men and Queen Scheherazade contestant at the 1949 Date Festival | Collection of the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387671111693-2HORGMJLZGZEEE27F6HI/6+17+L+The+Walled+Oasis+of+Biskra.jpg</image:loc>
      <image:title>Blog - Harem Girls and Camel Races: Middle Eastern Fantasies in the Deserts of Southern California</image:title>
      <image:caption>"Guests at California's Biskra who arrived on Camelback" from Charles H. Jonas, "The Walled Oasis of Biskra: An Interpretation of the American Desert in the Algerian Manner", Hoag and Ford Advertising, circa 1928 | Courtesy of the San Diego Public Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/01/22/tracing-the-us-mexico-border-wall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233376125-7TAS1PYALURDYXD2Z9V4/5+16+D+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233550212-PKLUG2AR433AR4N9YOY4/5+16+J+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Alessandra Moctezuma and Susanna Newbury | Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233298174-L6YOSJKRS1Q94Z3WI9UT/5+16+B+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233692967-50LI7V3IRFDK2NJ5MXGL/5+16+N+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233665080-EV3MR0C7URJ7H0QAMJYF/5+16+M+Scott+Polach+Flags.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Scott Polach, "USA-USA-USA #5", PVC landscaping flags | Photo courtesy of Scott Polach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233349331-15RS6YNCT5KEUEGNHBIN/5+16+C+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233593714-5GQOSF8QXPHED8XD65BD/5+16+K+Drawing.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Alessandra Moctezuma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233612636-6TCC0DLRI97TI2BWTUVL/5+16+L+Drawing.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233419431-QT74LXO9J5PQGG97Z76W/5+16+E+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233455694-B8ZLM6CG30ONUHFLUJ8I/5+16+G+Drawing.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Nicole Syrquin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233431519-GM2ZH7W61EB93VNXFQ2R/5+16+F+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233492707-4D5SSD699AS8WVYKQYYG/5+16+H+Photo.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391233511641-2H0L95KDNP9F4LCF2PP5/5+16+I+Drawings.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Left: Drawing by Susanna Newbury. Right: Drawing by Berge Zobayan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391232994318-91C6WL1QRCTLEWG8MBCR/5+16+A+Drawing.jpg</image:loc>
      <image:title>Blog - Report: Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Hillary Mushkin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/01/03/battlefields-of-santa-barbara</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391235630048-RYQ2S2X7BU4PYZNSYFDL/5+15+A+Santa+Barbara+Map.jpg</image:loc>
      <image:title>Blog - Battlefields of Santa Barbara</image:title>
      <image:caption>Detail map of Ellwood and Ellwood Offshore Oil Field, showing location of Luton-Bell Well No. 17, damaged by Japanese shelling Feb 23, 1942</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391235831896-WGUZ9HW84J08RWXXEQI5/5+15+C+Crossing+the+San+Gabriel+River.jpg</image:loc>
      <image:title>Blog - Battlefields of Santa Barbara</image:title>
      <image:caption>William H. Meyers, "Crossing the San Gabriel River", 1847 | Courtesy of New York: Random House, Franklin D. Roosevelt and William H. Meyers, Naval Sketches of the War in California, 1939</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391235785755-J227WNW0SKHWCM2C1OX3/5+15+B+Ralph+Bradford.jpg</image:loc>
      <image:title>Blog - Battlefields of Santa Barbara</image:title>
      <image:caption>Ralph Bradford, untitled (Ellwood Shelling), 1942 | Courtesy of Paul Petrich, Jr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391235857031-YG4NEFR5BVUSWCTJWLCP/5+15+D+The+Battle+of+San+Gabriel.jpg</image:loc>
      <image:title>Blog - Battlefields of Santa Barbara</image:title>
      <image:caption>William H. Meyers, "The Battle of San Gabriel", 1847 | Courtesy of New York: Random House, Franklin D. Roosevelt and William H. Meyers, Naval Sketches of the War in California, 1939</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391235880630-LC6QP35JC5BRIIXG1Y8C/5+15+E+The+Decisive+Battle+of+Los+Angeles.jpg</image:loc>
      <image:title>Blog - Battlefields of Santa Barbara</image:title>
      <image:caption>William H. Meyers, "The Decisive Battle of Los Angeles", 1847 | Courtesy of New York: Random House, Franklin D. Roosevelt and William H. Meyers, Naval Sketches of the War in California, 1939</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/12/18/the-journey-to-border-monument-number-140</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244449482-1MW1BEEMU806V52AXZ50/5+14+O+Border+Monument+No251.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 251 - N32º33.383' W116º51.948', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244332183-Z4HSBTQIXNMVSQQ8KCFZ/5+14+J+Border+Monument+No160.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 160 - N31º47.656' W112º32.281', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391243804411-OYP8WAS4RBLANBCA6LFE/5+14+A+Border+Monument+No2.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 2 - N31º47.032' W106º32.239', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244157426-2Z9P2PP1PQIHSDHDO6D3/5+14+E+Border+Monument+No84.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 84 - N31º20.045' W109º30.943, 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244060651-D23Z44ROMDRM6PBLFO8S/5+14+B+Border+Monument+No2.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 2B - N31º47.033' W106º32.992', 2007 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244216940-8G6ZGRBBXMEK2ZGX8DA9/5+14+G+Border+Monument+No121.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 121 - N31º19.965' W110º56.337', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244241511-JJH6Z2R33ROWXOWZLY65/5+14+H+Border+Monument+No123.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 123 - N31º19.962' W110º57.710', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244389553-VC919CAMCWAWVNSB6OJX/5+14+L+Border+Monument+No186.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 186 - N32º11.023' W113º47.781', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244096026-NDWKNFROEBQ8U4NJYNP5/5+14+C+Border+Monument+No10.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 10 - N31º47.020' W107º04.733', 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244187686-2VNF9C9FQ396MJ4MA2WS/5+14+F+Border+Monument+No118.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 118 - N31º20.024' W110º.50.866', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244355911-VA6PDS5Y2C7MYCM67070/5+14+K+Border+Monument+No178.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 178 - N32º02.334' W113º20.020', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244400623-SSD1MBRF7LWG27DRUZEG/5+14+M+Border+Monument+No191.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 191 - N32º15.630' W114º02.681', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244426587-1RHZJEO7UG23Q53TZWQM/5+14+N+Border+Monument+No235.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 235 - N32º36.242' W116º17.321', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244266658-BPHLIWN0TPGFKD2HMFRK/5+14+I+Border+Monument+No140.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 140 - N31º29780' W111º35.206', 2011 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244121579-IC6JVNA4RP7R1Y0LU75A/5+14+D+Border+Monument+No21.jpg</image:loc>
      <image:title>Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 21 - N31º47.023' W107º35.972', 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/12/04/a-brief-history-of-border-walls</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260487524-4CGCMDB6GIN70LZSBUGH/5+13+P+The+Berm.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>From afar, a view of The Berm in Mahbes, Western Sahara. | Photo courtesy of Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260131435-OR3N0P21N48ZCDXC9F89/5+13+H+Fence+Between+Botswana+and+Zimbabwe.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>The fence between Botswana and Zimbabwe. | Photo courtesy of BBC website and Zimbabwe Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260317310-1FKTY34DW6LZ7LWF67DW/5+13+L+Wasit+Province+Wall.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>A wall along the Iran-Iraq border in Wasit Province. | Photo courtesy of cheeseitz87, via flickr.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391256366243-T87SVN8Z3NCCW1659DHV/5+13+B+Great+Wall+of+China.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>A great snaking wall as seen from above. It punctuates and makes visible the undulating landscape of northern China. | Screen shot, courtesy of maps.google.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260093142-VMIKWJR0TPYZ6G3NPM4W/5+13+G+Friendship+Park.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Friendship Park is one of the few sites along the border wall where citizens from both sides can see and speak to one another face-to-face. It is located at Imperial Beach, CA between the two-fence barrier that marks the U.S. and Mexico border. | Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260182558-23Y7MYX05YK7H7PWYAEX/5+13+I+Indo-Bangladeshi+Barrier.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>The Indo-Bangladeshi Barrier after heavy rains and flooding in 2007. | Photo courtesy of mis(ual).com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260405257-OKWIS32RPP8XX9HKFPC5/5+13+N+India-Pakistan+Line+of+Control.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>A view of agricultural land that was de-mined by the Indian army at Palaanwala, India on the India-Pakistan Line of Control in 2010. | Photo courtesy of VAMAN, via militaryphotos.net</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258613967-5CB7XFXPKQ14WSJB00T6/5+13+C+Hadrian%27s+Wall+Near+Birdoswald+Fort.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Hadrian's Wall near Birdoswald Fort. The man shown here is spraying the wall with weed killer to protect the landmark from the biological weathering of stones. | Courtesy of Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258658775-9Y61I67TIRRCUJCDO2P7/5+13+E+Maginot+Line.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>A machine gun post and bunker on the Maginot Line. | Courtesy of Leger Holidays</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260267019-7ARUTIPFQQOLHALUYIV7/5+13+K+Wall+Between+Iran+and+Pakistan.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>The wall between Iran and the Pakistan province of Balochistan. | Photo courtesy of gwank.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258636716-DYNNJWZ4CM8NJBYD3UEV/5+13+D+Hadrian%27s+Wall.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>The brown line illustrates the full route of Hadrian's Wall in northern England. The background map in gray shows modern counties and urban areas. | Courtesy of Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260522427-596ZAVG6J3OC473XG7SW/5+13+Q+Border+Spain-Morocco.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Border Spain-Morocco, by Melilla, August 2008. | Photo courtesy of Ongayo, via Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260215616-JLEFQSHVDEP34VBW7H7G/5+13+J+Line+in+the+Sand.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>The "Line in the Sand" between Kuwait and Iraq, circa 2007. | Photo courtesy of Theodore Polk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260445565-DZ4OIO298II2TG23FJ0H/5+13+O+The+Berm.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>A military post along a stretch of The Berm, as seen by satellite. | Courtesy of Google Sightseeing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260349635-5DDNI1SXIYR1385014GW/5+13+M+Border+Between+Israel+and+Palestine.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Graffiti and trash along the barrier that divides Israel from the Palestinians in West Bank. | Photo courtesy of Goatmilk, via NYTimes.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258237348-V3ODSTSWJEJ4NCK05SXC/5+13+A+Border+Between+Israel+and+Palestine.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Graffiti and trash along the barrier that divides Israel from the Palestinians in West Bank | Courtesy of Goatmilk, via NYTimes.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260026319-XC71AWFPM761IZ3JVHME/5+13+F+Berlin+Wall.jpg</image:loc>
      <image:title>Blog - A Brief History of Border Walls</image:title>
      <image:caption>Berlin Wall from the eastern side. | Photo courtesy of StefanPOLLUX, via Panoramio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/11/13/drawing-a-line-encounters-with-the-us-mexico-border</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250006567-8GERIH37DPS61M5KQLJG/5+12+A+Border.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>David Taylor, Boundary Monument No. 210, 2009. From the series Working the Line. Archival inkjet print, 31 x 24 in. | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250135887-D87PJUVYC7JVR5JE3OHD/5+12+B+Map.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>John Disturnell, Mapa de los Estados Unidos de Méjico: segun lo organizado y definido por las varias actas del congreso de dicha républica y construido por las mejores autoridades, 1847 | Courtesy of Collection of the Library of Congress, Washington, DC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250332030-6I4OMORZ9PD3TN93WTPE/5+12+F+View+From+Monument+No17.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>Arthur Schott, View from Monument No. 17 on the Cerro de Sonora, Looking West towards Monument No. 15 on the Sierra del Pozo Verde, engraved by J.D. Smillie, c. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250205021-Z8PFXF0PQTXE6MHR29TK/5+12+C+View+from+Emory%27s+Monument.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>John Weyss, View from Emory's Monument South of the San Luis Springs Looking West across the Parallel of 31°20', engraved by W.H. Dougal, ca. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250244868-UNQRUBVCDIYPQMY9QGID/5+12+D+Detail+of+Map.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>Detail of map showing Monument 210 between Araz Junction and Holtville, California, 1891-6. From The International Boundary Commission, Report of the International Boundary Commission, United States and Mexico, 1891-6.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250350474-HKJ5KNHQ58BH95DZC2TM/5+12+G+View+towards+the+Eastern+Slope+of+the+Californian+Cordilleras.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>Arthur Schott, View towards the Eastern Slope of the Californian Cordilleras Taken from Near Carrizo Creek, engraved by W.H. Dougal, ca. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250682670-2RHTANPNIZISWY4ZQ0IO/5+12+E+Monument+210.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>Monument No. 210 (Iron), View to the W: On Sand Hills west of Pilot Knob [AZ], 1891-6. Plate from The International Boundary Commission, Report of the Boundary Commission upon the Survey and Re-marking of the Boundary between the United States and Mexico West of the Rio Grande. Album, 1891-1896.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250383128-AGS3DY7FDPRJBOJNQDCK/5+12+H+Border+Field+State+Park.jpg</image:loc>
      <image:title>Blog - Drawing a Line: Encounters with the U.S.-Mexico Border</image:title>
      <image:caption>Border Field State Park, San Diego, looking toward Boundary Monument No. 258, August 2012 | Photo courtesy of Susanna Newbury</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/10/30/report-on-an-incendiary-traces-draw-in-at-northrop-grumman-aerospace-headquarters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703338250-9L8SWLB7NHR4DHS9WPTX/4+11+B+Photo.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Radome, Housing protecting radar antennae | Photo : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703586495-EMUWI0Q2IOP3ZR1I3D14/4+11+H+Prisca+Langlais.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Radome, Housing protecting radar antennae | Prisca Langlais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703426716-Q1LMEJ4QZAMH1ND4V55H/4+11+D+Jena+Lee.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Radome, Housing protecting radar antennae | Drawing : Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703508815-Y8580QUDQL1XN1Q2OZH0/4+11+F+Photo.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Under a tree next to the TOTS | (Left to Right) Hillary Mushkin, Rick Miller, Bradley Cleveland, Joel Myhre, Diane Ward, Matthew Crotty (behind pole), and Prisca Langlais | Photo : Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703554641-L6RUY8IWLM8G5UB0VPP4/4+11+G+Allison+Heape.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Radome, Housing protecting radar antennae | Drawing : Allison Heape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703280380-PMMTLT9DB24IPHRXVJTQ/4+11+A+Radome.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Radome, Housing protecting radar antennae | Drawing : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703402215-GFRVJRFDX3295PNRCQC7/4+11+C+Photo.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>Drawing next to the Northrop Grumman TOTS: Telemetry and Orbital Testing Station Bldg. 150A | Photo : Brian Moss</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387703474013-P4LV6JLS3DFJ7I0327D6/4+11+E+TOTS.jpg</image:loc>
      <image:title>Blog - Draw-in at Northrop Grumman Aerospace Headquarters</image:title>
      <image:caption>TOTS: Telemetry and Orbital Testing Station Building | Photo : Rick Miller</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/10/09/drawing-with-satellites-tracing-landscapes-with-a-mission</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391223936454-4RRLHLEPQRC5AD4EHTCP/4+10+A+Satellite+Top+View.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>Project Haiti, screen shot | Courtesy of OpenStreetMap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391229083506-RDBNIGLAV4PUC90ISRID/4+10+G+Screen+Capture.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>Using the UNOSAT Cybrmappr crowdsourcing application, a photograph of dump trucks used as a blockade in Misratah is precisely located in a satellite image from 23 April 2011 (see red arrow) | Courtesy of UN Institute for Training and Research, Satellite image copyright DigitalGlobe, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391229030181-7RU19EI3PTKHX5ZX6DVN/4+10+F+Citizen+Reporting.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>Citizen reporting | Courtesy of UN Global Pulse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391224270652-9FFJ8WNK3Z6952LP4UN5/4+10+B+Hamish+Fulton+-+Alps+Horizon.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>Hamish Fulton, "Alps Horizon", Wall painting, Montes de Toledo, 1989 | Courtesy of Intellect Books, "Digital Visual Culture: Theory and Practice"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391228981543-H8Z8CUQWNG8J66XWGBKU/4+10+E+Geo-Pictures+Android+App.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>GEO-PICTURES Android app is used for automatically sending images (photos, video) and sensor data rapidly to a server. From there selected in-situ assessments can be forwarded to other integrated servers. | Courtesy of http://irevolution.net/2011/12/04/crowdsourcing-vs-putin/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391229156652-YF6RR7421J02LCC2NHSS/4+10+H+Election+Violations.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>This crowdsourced election-violations map was used to monitor Russia Parliamentary Elections in December 2011. The map displays over 5,000 reports of election violations. | Courtesy of iRevolution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391225633923-BTUQMZJP5KR14HTS1O2K/4+10+D+GPS+Traces.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>Left: GPS Trace of Hollywood Hills. Right: CGPS Trace of San Gabriel | Courtesy of Jerjozwik and OpenStreetMap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391229229211-BEEWWQ4AX8KRJEING91L/4+10+I+Election+Violations.jpg</image:loc>
      <image:title>Blog - Drawing with Satellites: Tracing Landscapes With a Mission</image:title>
      <image:caption>The Elections-Violation Map was launched by Golos, the country's only independent election monitoring organization and Gazeta.ru, Russia's leading Internet newspaper. | Courtesy of iRevolution</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/09/20/los-angeles-camouflage-and-contestation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387701335479-XK86CLFCMP4A8I3EIN1A/4+09+B+Douglas+Aircraft+Factory+in+Santa+Monica.jpg</image:loc>
      <image:title>Blog - Los Angeles: Camouflage and Contestation</image:title>
      <image:caption>Douglas Aircraft Factory in Santa Monica, circa 1940 | Courtesy of the Santa Monica Public Library Image Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387701417670-IT2X0I2VFIA36HD5RYFO/4+09+D+Workers+maintain+camouflage+at+the+Douglas+Aircraft+Factory.jpg</image:loc>
      <image:title>Blog - Los Angeles: Camouflage and Contestation</image:title>
      <image:caption>Workers maintain camouflage at the Douglas Aircraft Factory, circa 1942 | Courtesy of the Santa Monica Public Library Image Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387701265346-P47VEPGB6570YERM8IKQ/4+09+A+Bird%27s+eye+view+of+Disneyland+in+Anaheim.jpg</image:loc>
      <image:title>Blog - Los Angeles: Camouflage and Contestation</image:title>
      <image:caption>Bird's eye view of Disneyland in Anaheim, California, 1958 | Courtesy of Stuff from the Park Blog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387701380526-P70MAMTUCXLWF7PGUCHD/4+09+C+Rooftop+camouflage+at+the+Douglas+Aircraft+Factory.jpg</image:loc>
      <image:title>Blog - Los Angeles: Camouflage and Contestation</image:title>
      <image:caption>Rooftop camouflage at the Douglas Aircraft Factory, circa 1942 | Courtesy of the Santa Monica Public Library Image Archives</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/09/06/report-on-san-clemente-island-draw-in</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387699826081-8Z7NBTOLSQHBHC6RCEXD/3+08+B+Watercolor.jpg</image:loc>
      <image:title>Blog - San Clemente Island Draw-in</image:title>
      <image:caption>Watercolor | Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387699956787-AVV76A8NN49NH4GCBHCG/3+08+E+Watercolor.jpg</image:loc>
      <image:title>Blog - San Clemente Island Draw-in</image:title>
      <image:caption>Watercolor | Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387699873073-H5GDUOWOJQPK4NY1X7FX/3+08+C+Schedule.jpg</image:loc>
      <image:title>Blog - San Clemente Island Draw-in</image:title>
      <image:caption>San Clemente Island access schedule, screen shot | Courtesy of scisland.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387699927463-QLUPEIVZD569RPCOIZ8M/3+08+D+Details+from+the+NOAA+chart+of+San+Diego.jpg</image:loc>
      <image:title>Blog - San Clemente Island Draw-in</image:title>
      <image:caption>Details from the NOAA chart of San Diego to Santa Rosa Island, Soundings in fathoms, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/08/14/the-naval-gaze-subtropical-fantasies-and-imperial-pacific-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697950695-1WUE8NRSFSADZXEW21R3/3+07+F+Papeiti+Bay+Tahiti.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>Conway Shipley, Papeiti Bay Tahiti, Lithograph, 1851 | Courtesy of Yale Center for British Art, Paul Mellon Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697800913-C1G3GQR43M3IHDCE7FUU/3+07+D+View+of+Island+of+Otaha.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>View of the Islands of Otaha (Taaha) and Bola Bola (Bora Bora) with Part of the Island of Ulietea (Raiatea), William Hodges, Oil on canvas, 345 x 516 mm, 1773 | Courtesy of National Maritime Museum, Greenwich, London, Ministry of Defense Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697442166-NYC44YHPYJ4K8SG46PYZ/3+07+B+Landscapes+of+the+Pacific.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>View of Island of Otaheite (Tahiti), William Hodges, Grey wash and watercolor, 368 x 539mm, 1773 | Courtesy of Trustees of the British Museum | Back Inscription : "A View in the Island of Otaheite from the Land looking towards the Reef &amp; Sea, and which has much the appearance of the Low coral Reef Islands, the Plants a(re) Coco Nut Tree. &amp; Plantain which are indigenous Drawn from Nature by W Hodges in Year 1773"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697856398-F5YB5YLH0125PEQWSD7L/3+07+E+View+from+Point+Venus.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>William Hodges, View from Point Venus, Island of Otaheite, Oil on panel, 240 x 470mm, 1773-4 | Courtesy of National Maritime Museum, Greenwich, UK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697702520-3IBZ4RHSVNCE6AOGWBXP/3+07+C+Spanish+Map.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>Map of California shown as an island, Joan Vinckeboons, 1650 | Courtesy of Geography and Map Division, Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387697286125-6E33572OBH6JDE1T355H/3+07+A+Spanish+Map.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>Detail of Map of California shown as an island, Joan Vinckeboons, 1650 | Courtesy of Geography and Map Division, Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387698360138-D1DNK4L11NINIGT683TA/3+07+G+Naval+Sketches+of+the+War+in+California.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>William H. Meyers, The USS Sloop Dale off La Ligas Rocks (27 November 1846), from "Naval Sketches of the War in California", Watercolor Print, Limited Edition of 1000, Grabhorn Press, San Francisco, 1939 | Courtesy of Franklin Delano Roosevelt Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387698078958-VVI448UCPESB0FOJXOTE/3+07+H+Naval+Sketches+of+the+War+in+California.jpg</image:loc>
      <image:title>Blog - The Naval Gaze: (Sub)tropical Fantasies and Imperial Pacific Landscapes</image:title>
      <image:caption>William H. Meyers, The USS Sloop Dale of San Jose off the extreme lower point of California (18 November 1846), from "Naval Sketches of the War in California", Watercolor Print, Limited Edition of 1000, Grabhorn Press, San Francisco, 1939 | Courtesy of Franklin Delano Roosevelt Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/07/17/tracing-the-san-clemente-island-weapons-testing-range</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692498079-4P40H0UC4KJRY9LPOFWH/3+05+E+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Bombardment scars, San Clemente Island, screen shot | Courtesy of bing.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692459843-MEJXZSI95EDNR2EHI9EC/3+05+D+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Targets made of shipping containers, San Clemente Island, screen shot | Courtesy of bing.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692058521-VFIIYV1GXL11VREYO7EX/3+05+A+Documentation+as+Art.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Installation view of Documentation as Art/Art as Documentation, exhibit at ARCO Center for Visual Art, 1979 | Photo : Tom McMillin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692576687-SZF26KKNU8GOXI4B2CGI/3+05+G+Tom+McMillin+-+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Tom McMillin's "San Clemente Island", from the "Island Series", Magnetite on plexiglass, circa 1979 | Photo : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692425867-FAK75OH7YMQL9E3MPY49/3+05+C+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Fake air strip, San Clemente Island, screen shot | Courtesy of bing.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692529677-3V71RTZDMAHHGSDB14OA/3+05+F+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Burn scar, San Clemente Island, screen shot | Courtesy of bing.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692623632-L6EQ9O1PM5JUO0D414WS/3+05+H+Tom+McMillin+-+Undersea+Sonar+Recordings.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Tom McMillin's "Undersea sonar recordings", circa 1980 | Photo : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387692377443-XBFYQC9UO7S7UOEXNZ81/3+05+B+San+Clemente+Island.jpg</image:loc>
      <image:title>Blog - Tracing the San Clemente Island Weapons Testing Range</image:title>
      <image:caption>Fire retardant lines, San Clemente Island, screen shot | Courtesy of bing.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/07/03/even-our-palm-trees-are-cooler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687557755-BSIL7X6J2LN4M3X9TFPY/2+04+J+The+Curse+of+California.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"The Curse of California", G. Frederick Keller, "The Wasp", August 19, 1882 | Courtesy of University of California Berkeley, Bancroft Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387686408207-9V0PDYZ0VX27PWZS9FOY/2+04+C+Ocean+Citrus+Fair.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"Supplement to the Daily Inter Ocean Citrus Fair Edition", Southern California Citrus Fair, Chicago, 1886 | Courtesy of University of California Berkeley, Bancroft Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387686303357-K60ODRHKTMVM67APH3SE/2+04+B+Palm+Trees.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"Palm Trees, Los Angeles County" from William R. Bentley, "Hand-book of the Pacific Coast", Pacific Press Publishing House, 1884</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687353949-F5O2IDETS8BO9ZXU1FVD/2+04+F+California+the+Cornucopia+of+the+World.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"California: The Cornucopia of the World", 1876 | Courtesy of The Granger Collection, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687520937-DQP2642WT9EAVJVKB6Z6/2+04+I+The+Prune+Horse.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"The Prune Horse", Depicted on the cover of the "Journal of the California Midwinter Exposition", 1894</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687697456-AUTWVM2D2G6YS79S1CZQ/2+04+M+5th+Street+and+Central+Avenue.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>5th Street and Central Avenue, Los Angeles, 2012 | Photo : Janet Owen Driggs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687877861-LUGKC90EYHG2JD44WL3G/2+04+P+1055+Wilshire+Blvd+Detail.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>1055 Wilshire Blvd, Los Angeles, 2012 | Photo : Janet Owen Driggs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687650550-8HUYVLRZKG1T25GIF9OF/2+04+L+William+Wolfskill+-+Pasadena+Groves.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>Drawing depicting William Wolfskill's Pasadena orange and lemon grove and residence, between Alameda and San Pedro Streets, Los Angeles, circa 1882 | Courtesy of USC Libraries Special Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687744323-VXNKM061PTUP16J35VN7/2+04+N+Texas+Anti-Immigration+Rally.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>Placard with helpfully underlined misspelling, Texas anti-immigration rally, 2008 | Photo : Johnny Hanson, Houston Chronicle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687602649-DMXD2PUAQ4NNKOV4A86E/2+04+K+Diseno+del+Rancho+Providencia.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>Diseño del Rancho Providencia, a 4,064-acre Mexican land grant that is now occupied by the City of Burbank, 1840s | Courtesy of University of California Berkeley, Bancroft Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687429954-ABJFIDJMNRZ9I2YGVJ4E/2+04+G+Statue+of+California.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>Statue of California, California Building, Chicago World's Fair, 1893</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687828922-JTHVF9TZZ66BUSABVZUT/2+04+O+1055+Wilshire+Blvd.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>1055 Wilshire Blvd, Los Angeles, 2012 | Photo : Janet Owen Driggs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387687472859-VJPX0X0SBY68C0JHU7HC/2+04+H+American+Progress.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>John Gast, "American Progress", 1872</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387686469579-DXJEN6NIYOAXOYEERBX4/2+04+D+Banana+Trees.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>"Banana Trees at Wolfskill's, Los Angeles, Cal.", Stereoview by Carleton Watkins, 1876-1880 | Courtesy of California State Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387686514088-AA03IZLSA1EDHIC69L1J/2+04+E+Southern+Pacific+Arcade+Station.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>Southern Pacific Arcade Station on Alameda Street between Fourth Street &amp; Sixth Street, circa 1895-1900 | Courtesy USC Libraries Special Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387686097393-52DJC79H2LVNVYHMTFWL/2+04+A+San+Pedro+Palm.jpg</image:loc>
      <image:title>Blog - 'Even Our Palm Trees Are Cooler'</image:title>
      <image:caption>San Pedro palm being brought to Fifth Street and Central Avenue for depot, 1889 | Courtesy of USC Libraries Special Collections</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/06/19/how-a-19th-century-painting-transformed-californias-desert-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679339181-BGWG47M8AILBT4XK4NJK/2+03+E+Powell+Expedition.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>(Left) Jack Hillers, "JW Powell's Boat 'Emma Dean' on the Colorado", Grand Canyon, circa 1872 | (Right) Detail of "Chasm of the Colorado" | Courtesy of the Grand Canyon National Park Museum (17254)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387678764070-KEXE7FZIPMQ6ZAP7MAGF/2+03+B+Thomas+Moran+at+the+edge+of+the+Grand+Canyon.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Thomas Moran at the edge of the Grand Canyon, Keystone stereograph, circa 1890 | Courtesy of Archives of American Art, Smithsonian Institution, Washington, DC. (AAA 5284)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679749501-25YP3E35GT2OGP8TT0EJ/2+03+H+Growing+cantaloupes+near+Brawley.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Growing cantaloupes near Brawley, circa 1910 | Courtesy of University of Southern California, California Historical Society Collection, 1860-1960</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679480735-2BAPNOZ25T3F2QIGPY1O/2+03+F+Advertisement+for+Santa+Fe+Railroad.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>(Left) Advertisement for Santa Fe Railroad published in the January 1909 issue of Fine Arts Journal | (Right) Thomas Moran, "Grand Canyon of Arizona", Chromolithograph after an 1892 painting, circa 1912 | Courtesy of the St. Louis Mercantile Library at the University of Missouri-St. Louis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679903606-54CV9QSIX73EA5JTJIJM/2+03+J+Colorado+Aqueduct.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Colorado Aqueduct, circa 1971 | Courtesy of the Metropolitan Water District of Southern California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679186014-SE1YO22A8ESP93VX0CSB/2+03+D+Thomas+Moran+-+Chasm+of+the+Colorado.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Thomas Moran, "Chasm of the Colorado", Oil on canvas, 84 3/8 x 114 3/4 in., circa 1873 | Courtesy of the Smithsonian American Art Museum and the Interior Museum, US Dept. of Interior, Washington, DC. (INTR 3000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679819477-6SFWATX3VR6E0L4SFKSV/2+03+I+Imperial+Valley+California.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>"Imperial Valley California", Southern Pacific Railroad pamphlet, front and back cover, 1908 | Courtesy of the California State Railroad Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679067406-OVIM1AI2VCF8N0S001GP/2+03+C+Albert+Bierstadt+-+Yosemite+Valley.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Albert Bierstadt, "Yosemite Valley", Oil on canvas, 64 x 84 ¾ in., circa 1873 | Courtesy of Yale University Art Gallery, New Haven, CT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387679580228-JQLW6M27K1OPVPXBH1M8/2+03+G+Flooding+in+the+Imperial+Valley.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>Flooding in the Imperial Valley during the 1905-7 breach of the California Development Company's Colorado River irrigation canal | Courtesy of Bureau of Reclamation   Note : The CDC was later taken over by the Southern Pacific Railroad, which retained ownership over much of the land in the Imperial Valley. Read a report on irrigation history in the valley through the 20th century here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387678607551-3WMP44J8NBQ97HV8NR84/2+03+A+Union+Pacific+Railroad+Pamphlets.jpg</image:loc>
      <image:title>Blog - How a 19th Century Painting Transformed California's Desert World</image:title>
      <image:caption>(Left) "California Calls You", Union Pacific Railroad pamphlet, University of California-San Diego Special Collections, circa 1900 | (Right) "California for the Settler: The Natural Advantages of the Golden State for the Present Day Farmer", Pamphlet cover, Southern Pacific Company, circa 1910 | Courtesy of the California State Railroad Museum Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2012/05/21/drawing-the-rules-of-perspective-and-national-security</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387673001745-2LFTLYTLLJ3P1G5SSIQL/1+02+C+Poets+Diane+Ward+and+Jane+Sprague.JPG</image:loc>
      <image:title>Blog - Drawing, the Rules of Perspective, and National Security</image:title>
      <image:caption>Poets Diane Ward and Jane Sprague | Photo : Brian Moss</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387672910503-MO8IVL4HH6BXBM1PU0XX/1+02+A+Robby+Herbst+and+Susan+Silton.JPG</image:loc>
      <image:title>Blog - Drawing, the Rules of Perspective, and National Security</image:title>
      <image:caption>Artists Robby Herbst and Susan Siltonn | Photo : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387673055127-TVM0T8RRI7RRGX9R1JXT/1+02+D+Watercolor+by+Robby+Herbst.JPG</image:loc>
      <image:title>Blog - Drawing, the Rules of Perspective, and National Security</image:title>
      <image:caption>Watercolor by Robby Herbst | Photo : Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1387672955921-34YBKVJB7IKHC7B3NK51/1+02+B+Enclosed+walkway+over+El+Segundo+Blvd.JPG</image:loc>
      <image:title>Blog - Drawing, the Rules of Perspective, and National Security</image:title>
      <image:caption>Enclosed walkway over El Segundo Blvd., bridging the Los Angeles Air Force Base and Aerospace Corporation | Photo : Brian Moss</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/articles/2013/12/14/what-is-incendiary-traces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391261723715-AGHLUSK235UZTFG14M6J/1+01+D+_+Hillary+Mushkin.jpg</image:loc>
      <image:title>Blog - What is Incendiary Traces?</image:title>
      <image:caption>Drawing by Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391261746708-VHKS2CRRCIPETUQHC9MJ/1+01+E+_+Hillary+Mushkin.jpg</image:loc>
      <image:title>Blog - What is Incendiary Traces?</image:title>
      <image:caption>Drawing by Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391261556936-1GN6BMTRDSH28Z97FN98/1+01+A+_+Hillary+Mushkin.jpg</image:loc>
      <image:title>Blog - What is Incendiary Traces?</image:title>
      <image:caption>Drawing by Hillary Mushkin</image:caption>
    </image:image>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Agent Stricklin with map of the San Diego Border Patrol sector | Photo by Jena Lee</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The view from Bunker Hill | Drawing by Nichole Speciale</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Surveillance towers are positioned every 200 feet along the border | Photo by Jena Lee</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The border fence from above the estuary | Drawing by Amy Adler</image:caption>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>The US-Mexico Border looking west from Bunker Hill | Drawing by Eva Struble</image:caption>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>A 1973 San Diego sector U.S. Border Patrol log book | Photo by Jena Lee</image:caption>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Left: Portrait of Agent Dan Smoak; Right: Ant trail on border | Photos by Jacob Janco</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Border crossers often use Sawzalls to cut into the mesh of the border fence as evidenced by the many scars and patches along the northern wall | Photo by Jena Lee</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Fabric used as shoe covering by a border crosser in an attempt to avoid leaving footprints that could be tracked by border agents | Photo by Jena Lee</image:caption>
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    <image:image>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>View from Bunker Hill Looking East | Photo by Brian Ganter</image:caption>
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      <image:title>Linewatch Blog - Artists, Surveillance and Patrol at the Border</image:title>
      <image:caption>Our driver, a CBP agent, looks out at Smugglers Gulch where a “spotter’s hut” is nestled in the hillside | Photo by Jena Lee</image:caption>
    </image:image>
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    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1481330191841-05V619HACFXSUJ8DKWSK/image-asset.png</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Mexicans quarantined at the Santa Fe Bridge Disinfection Plant, 1917 | USPHS, National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980431527-J20W2XMAVW28LZT8CQ3U/image-asset.jpeg</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Chinese "passing" as Mexican, 1907 | National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405979976062-EKK7FPU8D86N8BN9UB1P/image-asset.png</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>A steam dryer sterilized border crosser’s clothing at the Santa Fe Bridge Disinfection Plant, 1917 | USPHS, National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405979908875-Q1LU9F7RBI0HSQ2X3YYK/image-asset.jpeg</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Eugenics on the cover of Puck, a humor magazine, 1913 | Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980145910-FK0AZK74JFNQMUJ2S4LR/image-asset.png</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Plans for the El Paso Disinfection Plant, 1916 | USPHS, National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1405980231375-SOH1QWIJAB7UH3QLB03A/image-asset.jpeg</image:loc>
      <image:title>Linewatch Blog - Crossing the Line: A History of Medical Inspection at the Border</image:title>
      <image:caption>Immigration station, Angel Island, California, 1915 | Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/2018/11/2/tracing-the-usmexico-border-wall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183155321-ZNBUO2VLS436EEH71AY6/IMG_2981.JPG</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183826185-GIKU6SDAZ3MBJT9MDGZG/IMG_2890.jpeg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Alessandra Moctezuma and Susanna Newbury | Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183227433-4VHYB23U5DTIRI7P1FUY/IMG_5321+copy.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183379988-WAILG24696ZHDUTOWNIB/Nicole+Syrquin.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Nicole Syrquin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541184119989-DDU7M8BGRV29CW7M3RDG/IMG_5424+copy.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183001841-BCJBZP6KSUQ4SE73OFRD/Hm+watercolor.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183488556-KGS27MBPQX97J5S5PTKO/Suzy+colored+pencil.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Susanna Newbury</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183528566-LPJ4YCVPV45KU7GIAJNU/berge+pencil.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Berge Zobayan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183322040-CSQG5GOE4J8M9BI4LFBS/IMG_2966.jpeg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183091250-9RQD1DO44XLTDQBG7GYH/IMG_2848.jpeg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183852682-PIV84MXVQ9BV6R0HGJ4O/alessandra.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Alessandra Moctezuma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541184068717-FYNH0LRL3DSBJIG5L5TY/scott_polach_USA-USA-USA-5.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Scott Polach, "USA-USA-USA #5", PVC landscaping flags | Photo courtesy of Scott Polach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183981878-ZEY7NCBVYMP6H5SHRFO5/Jena_Drawing.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Drawing by Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183286172-ZM0Q5JKJAB8Y0IWK0UL7/IMG_5196+copy.jpg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Maria Teresa Fernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1541183414493-NGE6IUMFHWBYQMB0A282/IMG_2911.jpeg</image:loc>
      <image:title>Linewatch Blog - Tracing the US/Mexico Border Wall</image:title>
      <image:caption>Photo courtesy of Jena Lee</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/2012/12/18/the-journey-to-border-monument-number-140-j4kmw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244266658-BPHLIWN0TPGFKD2HMFRK/5+14+I+Border+Monument+No140.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 140 - N31º29780' W111º35.206', 2011 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244096026-NDWKNFROEBQ8U4NJYNP5/5+14+C+Border+Monument+No10.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 10 - N31º47.020' W107º04.733', 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244121579-IC6JVNA4RP7R1Y0LU75A/5+14+D+Border+Monument+No21.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 21 - N31º47.023' W107º35.972', 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244389553-VC919CAMCWAWVNSB6OJX/5+14+L+Border+Monument+No186.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 186 - N32º11.023' W113º47.781', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391243804411-OYP8WAS4RBLANBCA6LFE/5+14+A+Border+Monument+No2.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 2 - N31º47.032' W106º32.239', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244426587-1RHZJEO7UG23Q53TZWQM/5+14+N+Border+Monument+No235.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 235 - N32º36.242' W116º17.321', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244241511-JJH6Z2R33ROWXOWZLY65/5+14+H+Border+Monument+No123.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 123 - N31º19.962' W110º57.710', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244400623-SSD1MBRF7LWG27DRUZEG/5+14+M+Border+Monument+No191.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 191 - N32º15.630' W114º02.681', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244449482-1MW1BEEMU806V52AXZ50/5+14+O+Border+Monument+No251.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 251 - N32º33.383' W116º51.948', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244216940-8G6ZGRBBXMEK2ZGX8DA9/5+14+G+Border+Monument+No121.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 121 - N31º19.965' W110º56.337', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244332183-Z4HSBTQIXNMVSQQ8KCFZ/5+14+J+Border+Monument+No160.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 160 - N31º47.656' W112º32.281', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244355911-VA6PDS5Y2C7MYCM67070/5+14+K+Border+Monument+No178.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 178 - N32º02.334' W113º20.020', 2012 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244157426-2Z9P2PP1PQIHSDHDO6D3/5+14+E+Border+Monument+No84.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 84 - N31º20.045' W109º30.943, 2008 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244060651-D23Z44ROMDRM6PBLFO8S/5+14+B+Border+Monument+No2.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 2B - N31º47.033' W106º32.992', 2007 | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391244187686-2VNF9C9FQ396MJ4MA2WS/5+14+F+Border+Monument+No118.jpg</image:loc>
      <image:title>Linewatch Blog - The Journey to Border Monument Number 140</image:title>
      <image:caption>Border Monument No. 118 - N31º20.024' W110º.50.866', 2010 | Photo courtesy of David Taylor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/2012/12/04/a-brief-history-of-border-walls-3mwzn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260267019-7ARUTIPFQQOLHALUYIV7/5+13+K+Wall+Between+Iran+and+Pakistan.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>The wall between Iran and the Pakistan province of Balochistan. | Photo courtesy of gwank.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260349635-5DDNI1SXIYR1385014GW/5+13+M+Border+Between+Israel+and+Palestine.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Graffiti and trash along the barrier that divides Israel from the Palestinians in West Bank. | Photo courtesy of Goatmilk, via NYTimes.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260405257-OKWIS32RPP8XX9HKFPC5/5+13+N+India-Pakistan+Line+of+Control.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>A view of agricultural land that was de-mined by the Indian army at Palaanwala, India on the India-Pakistan Line of Control in 2010. | Photo courtesy of VAMAN, via militaryphotos.net</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260026319-XC71AWFPM761IZ3JVHME/5+13+F+Berlin+Wall.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Berlin Wall from the eastern side. | Photo courtesy of StefanPOLLUX, via Panoramio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260093142-VMIKWJR0TPYZ6G3NPM4W/5+13+G+Friendship+Park.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Friendship Park is one of the few sites along the border wall where citizens from both sides can see and speak to one another face-to-face. It is located at Imperial Beach, CA between the two-fence barrier that marks the U.S. and Mexico border. | Photo courtesy of Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258636716-DYNNJWZ4CM8NJBYD3UEV/5+13+D+Hadrian%27s+Wall.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>The brown line illustrates the full route of Hadrian's Wall in northern England. The background map in gray shows modern counties and urban areas. | Courtesy of Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258658775-9Y61I67TIRRCUJCDO2P7/5+13+E+Maginot+Line.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>A machine gun post and bunker on the Maginot Line. | Courtesy of Leger Holidays</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260215616-JLEFQSHVDEP34VBW7H7G/5+13+J+Line+in+the+Sand.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>The "Line in the Sand" between Kuwait and Iraq, circa 2007. | Photo courtesy of Theodore Polk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260317310-1FKTY34DW6LZ7LWF67DW/5+13+L+Wasit+Province+Wall.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>A wall along the Iran-Iraq border in Wasit Province. | Photo courtesy of cheeseitz87, via flickr.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260445565-DZ4OIO298II2TG23FJ0H/5+13+O+The+Berm.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>A military post along a stretch of The Berm, as seen by satellite. | Courtesy of Google Sightseeing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260182558-23Y7MYX05YK7H7PWYAEX/5+13+I+Indo-Bangladeshi+Barrier.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>The Indo-Bangladeshi Barrier after heavy rains and flooding in 2007. | Photo courtesy of mis(ual).com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260522427-596ZAVG6J3OC473XG7SW/5+13+Q+Border+Spain-Morocco.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Border Spain-Morocco, by Melilla, August 2008. | Photo courtesy of Ongayo, via Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258237348-V3ODSTSWJEJ4NCK05SXC/5+13+A+Border+Between+Israel+and+Palestine.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Graffiti and trash along the barrier that divides Israel from the Palestinians in West Bank | Courtesy of Goatmilk, via NYTimes.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391256366243-T87SVN8Z3NCCW1659DHV/5+13+B+Great+Wall+of+China.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>A great snaking wall as seen from above. It punctuates and makes visible the undulating landscape of northern China. | Screen shot, courtesy of maps.google.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260131435-OR3N0P21N48ZCDXC9F89/5+13+H+Fence+Between+Botswana+and+Zimbabwe.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>The fence between Botswana and Zimbabwe. | Photo courtesy of BBC website and Zimbabwe Telegraph</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391260487524-4CGCMDB6GIN70LZSBUGH/5+13+P+The+Berm.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>From afar, a view of The Berm in Mahbes, Western Sahara. | Photo courtesy of Wikimedia Commons</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391258613967-5CB7XFXPKQ14WSJB00T6/5+13+C+Hadrian%27s+Wall+Near+Birdoswald+Fort.jpg</image:loc>
      <image:title>Linewatch Blog - A Brief History of Border Walls</image:title>
      <image:caption>Hadrian's Wall near Birdoswald Fort. The man shown here is spraying the wall with weed killer to protect the landmark from the biological weathering of stones. | Courtesy of Wikimedia Commons</image:caption>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/2012/11/13/drawing-a-line-encounters-with-the-us-mexico-border-8w9rm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250006567-8GERIH37DPS61M5KQLJG/5+12+A+Border.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>David Taylor, Boundary Monument No. 210, 2009. From the series Working the Line. Archival inkjet print, 31 x 24 in. | Photo courtesy of David Taylor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250682670-2RHTANPNIZISWY4ZQ0IO/5+12+E+Monument+210.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>Monument No. 210 (Iron), View to the W: On Sand Hills west of Pilot Knob [AZ], 1891-6. Plate from The International Boundary Commission, Report of the Boundary Commission upon the Survey and Re-marking of the Boundary between the United States and Mexico West of the Rio Grande. Album, 1891-1896.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250350474-HKJ5KNHQ58BH95DZC2TM/5+12+G+View+towards+the+Eastern+Slope+of+the+Californian+Cordilleras.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>Arthur Schott, View towards the Eastern Slope of the Californian Cordilleras Taken from Near Carrizo Creek, engraved by W.H. Dougal, ca. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250332030-6I4OMORZ9PD3TN93WTPE/5+12+F+View+From+Monument+No17.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>Arthur Schott, View from Monument No. 17 on the Cerro de Sonora, Looking West towards Monument No. 15 on the Sierra del Pozo Verde, engraved by J.D. Smillie, c. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250205021-Z8PFXF0PQTXE6MHR29TK/5+12+C+View+from+Emory%27s+Monument.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>John Weyss, View from Emory's Monument South of the San Luis Springs Looking West across the Parallel of 31°20', engraved by W.H. Dougal, ca. 1856. Plate from William Emory, Report on the United States and Mexico Boundary Survey, 1857, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250244868-UNQRUBVCDIYPQMY9QGID/5+12+D+Detail+of+Map.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>Detail of map showing Monument 210 between Araz Junction and Holtville, California, 1891-6. From The International Boundary Commission, Report of the International Boundary Commission, United States and Mexico, 1891-6.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250135887-D87PJUVYC7JVR5JE3OHD/5+12+B+Map.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>John Disturnell, Mapa de los Estados Unidos de Méjico: segun lo organizado y definido por las varias actas del congreso de dicha républica y construido por las mejores autoridades, 1847 | Courtesy of Collection of the Library of Congress, Washington, DC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1391250383128-AGS3DY7FDPRJBOJNQDCK/5+12+H+Border+Field+State+Park.jpg</image:loc>
      <image:title>Linewatch Blog - Drawing a Line: Encounters with the US-Mexico Border</image:title>
      <image:caption>Border Field State Park, San Diego, looking toward Boundary Monument No. 258, August 2012 | Photo courtesy of Susanna Newbury</image:caption>
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  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/category/Origins</loc>
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    <loc>http://www.incendiarytraces.org/linewatch-blog/category/Historical</loc>
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    <loc>http://www.incendiarytraces.org/linewatch-blog/tag/Cartography</loc>
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    <priority>0.5</priority>
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    <loc>http://www.incendiarytraces.org/linewatch-blog/tag/San+Diego</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/tag/Border+Patrol</loc>
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  <url>
    <loc>http://www.incendiarytraces.org/linewatch-blog/tag/US%2FMexico+Border</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/contact</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2015-09-11</lastmod>
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  <url>
    <loc>http://www.incendiarytraces.org/about</loc>
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    <lastmod>2025-02-11</lastmod>
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      <image:title>About</image:title>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/29-palms-marine-base</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512767892840-HB4D7AHQE22TYNGZEVJV/image07.jpg</image:loc>
      <image:title>29 Palms Marine Base</image:title>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/usmexico-border</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/san-clemente-island</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/mexico-city-c4i4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1515180967880-LOK3DW0WFMC49M6LY8QD/02_C4i4_hmexterior.jpg</image:loc>
      <image:title>C4i4 Police Surveillance</image:title>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/institute-of-creative-technologies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/historical-perspectives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/northrop-grumman-aerospace-systems</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
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  <url>
    <loc>http://www.incendiarytraces.org/projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512771153824-B7IZHZG7KGRHGHHVENE4/image07.jpg</image:loc>
      <image:title>Projects - MOUT</image:title>
      <image:caption>MOUT 29 Palms Marine Base</image:caption>
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    <image:image>
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      <image:title>Projects - Survey to Surveillance</image:title>
      <image:caption>US - Mexico Border</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512772378666-6MAUGQ2MB260W0WYR24N/Sonar+recording+IMG_0246.jpg</image:loc>
      <image:title>Projects - Coastal Profile</image:title>
      <image:caption>San Clemente Island</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512778839955-O7LDBTTYVLFRM5MGMSSC/Bolstad_Mugu_1.jpg</image:loc>
      <image:title>Projects - Reconnaissance</image:title>
      <image:caption>Research Missions</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1572647292199-NDOTNZTLNOL9XRT9XH1G/San+Clemente+Nikko+6x6.jpg</image:loc>
      <image:title>Projects - Three Border Ecologies</image:title>
      <image:caption>US - Mexico Border</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1521239672153-7X6VTWMYO21KBXWBJ6GY/KAbate+Polaroids_UVAnose+small.jpg</image:loc>
      <image:title>Projects - Ground Control</image:title>
      <image:caption>Drone Training Center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512778784468-25UJV8YS9Z1SGKQHK23J/Mushkin1scale_72.jpg</image:loc>
      <image:title>Projects - Eurosur</image:title>
      <image:caption>EU Border</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512770965166-7R98C1K2IDZ01YUI91RK/02a_C4i4_hmexterior.jpg</image:loc>
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      <image:caption>Police Surveillance</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1523661253200-ML59CEJLZ3VBQLWJHUSS/2-JPOD.jpg</image:loc>
      <image:title>Projects - Origins</image:title>
      <image:caption>Historical Perspectives</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/5359726a-38c9-4559-892d-1dc5c3662ba0/Pirondi_El+Nido_474900_0007.jpg</image:loc>
      <image:title>Projects - Groundwater</image:title>
      <image:caption>California Central Valley</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512772347731-BSCSG515SAFY6BH7VMPJ/2012NG+Radome.jpg</image:loc>
      <image:title>Projects - C4ISR</image:title>
      <image:caption>Northrup Grumman Aerospace HQ</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512771065114-H4Q7UCFE97HIWNEQX3CC/04b_BorderAgentLineTrainingHIRESbwcrop.jpg</image:loc>
      <image:title>Projects - Linewatch</image:title>
      <image:caption>US - Mexico Border</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1512772585820-PGGJM1LKOWT0NVJGZMJS/07_2013-11-01+16.51.06.jpg</image:loc>
      <image:title>Projects - Situational Awareness</image:title>
      <image:caption>Institute for Creative Technologies</image:caption>
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  <url>
    <loc>http://www.incendiarytraces.org/eu-border</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/traces-reconnaissance</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/ground-control</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1521237992655-WQ7JNLUQXL6FVT8ASEI6/24_DSF5217KAbate.jpg</image:loc>
      <image:title>Drone Training Center</image:title>
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    <loc>http://www.incendiarytraces.org/publications</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-02-12</lastmod>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/6f4a4e2a-b398-49bc-9e83-4f6467cea0cd/IMG_0689.jpg</image:loc>
      <image:title>Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1625007340235-NMSCKJYCHYWG2J8VJXO2/ClyneGina_CarrizoCreek_2020_LR_04.jpg</image:loc>
      <image:title>Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/122c5f9c-9995-4e38-b6ce-c511579ea27b/IMG_0680.jpg</image:loc>
      <image:title>Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1497035543066-597D87E64C0TEOI0X6XH/Book+Promo_long02.jpg</image:loc>
      <image:title>Publications</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/d3841806-ec61-49ed-9193-d66ae4744d07/IMG_0685.jpg</image:loc>
      <image:title>Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/linewatch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-02</lastmod>
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  <url>
    <loc>http://www.incendiarytraces.org/three-border-ecologies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-11-08</lastmod>
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      <image:title>Three Border Ecologies</image:title>
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    <image:image>
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      <image:title>Three Border Ecologies</image:title>
    </image:image>
    <image:image>
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      <image:title>Three Border Ecologies</image:title>
    </image:image>
    <image:image>
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      <image:title>Three Border Ecologies</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1572640166185-1CMIWXI5YFWA1SUJ1B56/Mushkin_San+Clemente+3.jpeg</image:loc>
      <image:title>Three Border Ecologies</image:title>
      <image:caption>Image credit: Hillary Mushkin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1572644001846-MYJ3WW45781DJH5BOU9Y/Lee_Cleghorn2c.jpg</image:loc>
      <image:title>Three Border Ecologies</image:title>
      <image:caption>Image credit: Jena Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1572646313134-YFHVGHIRN7U1BHBPMXKD/2set2.jpg</image:loc>
      <image:title>Three Border Ecologies</image:title>
      <image:caption>© 2019 Lena Martinez-Miller | LenaMartinezMiller.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/1572640129513-UYLULUN5UMHQ90FC4Y07/LeeG_Oak+Grove+3.jpeg</image:loc>
      <image:title>Three Border Ecologies</image:title>
      <image:caption>Image credit: Gloria Lee</image:caption>
    </image:image>
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  <url>
    <loc>http://www.incendiarytraces.org/survey-to-surveillance</loc>
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    <lastmod>2024-11-22</lastmod>
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      <image:title>Survey to Surveillance</image:title>
      <image:caption>Sarah Zeichner sketches at Carrizo Badlands Overlook | Photo: Gina Clyne</image:caption>
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      <image:title>Survey to Surveillance</image:title>
      <image:caption>Cecilia Sanders sketches at Carrizo Creek | Photo: Gina Clyne</image:caption>
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      <image:caption>All ink and graphite drawings on paper | Hillary Mushkin</image:caption>
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      <image:title>Survey to Surveillance - Cecilia Sanders</image:title>
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      <image:title>Survey to Surveillance - Nikko Mueller</image:title>
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      <image:title>Survey to Surveillance - Jim Barry</image:title>
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      <image:title>Survey to Surveillance - Hillary Mushkin</image:title>
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      <image:title>Survey to Surveillance - Sarah Zeichner</image:title>
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      <image:title>Survey to Surveillance - Cecilia Sanders</image:title>
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      <image:title>Survey to Surveillance - Sarah Zeichner</image:title>
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      <image:title>Survey to Surveillance - Nikko Mueller</image:title>
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      <image:title>Survey to Surveillance - Jim Barry</image:title>
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      <image:title>Survey to Surveillance - Cecilia Sanders</image:title>
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      <image:title>Survey to Surveillance - Hillary Mushkin</image:title>
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      <image:title>Survey to Surveillance</image:title>
      <image:caption>Jim Barry, Cecilia Sanders, Sarah Zeichner, Usha Lingappa, Hillary Mushkin and Jena Lee on site at Carrizo Creek | Photo: Gina Clyne</image:caption>
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      <image:title>Survey to Surveillance</image:title>
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      <image:title>Survey to Surveillance</image:title>
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      <image:title>Survey to Surveillance</image:title>
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  </url>
  <url>
    <loc>http://www.incendiarytraces.org/recent</loc>
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    <lastmod>2024-11-25</lastmod>
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      <image:title>Recent Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.incendiarytraces.org/exhibitions</loc>
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    <lastmod>2024-11-25</lastmod>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Image: Iam Byers-Gamber</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/dfd71c20-b75b-4bd0-a586-6868dbf9dafd/For+Web+-+MOCA+-+Plein+Air-15.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/ce5838a8-4ca4-4403-91a0-79222e23cf53/HM+IMG_7301_1.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/a69cdaf4-87e5-4505-9e8d-62e6c82bcb94/MushkinHillary_3+border+ecologies+cu+l+3+sm.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/79aa0212-1c69-42a8-a0eb-ad25ba0683a8/tempImageT2JGvR.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/dfdcd0d7-b66d-4d3c-9806-b1a9495e8219/For+Web+-+MOCA+-+Plein+Air-17.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/c3693e4b-c4b7-4772-b6ac-c156479373c8/HM+IMG_7309.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Image credits: Daris Jasper (installation view) and Hillary Mushkin (details)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/528d39d1e4b0d60933da00ae/57d7ac8c-21f5-4a10-b8a4-8fc5e958740d/For+Web+-+MOCA+-+Plein+Air-5.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:caption>Photo: Leonardo Pirondi</image:caption>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Groundwater</image:title>
      <image:caption>“Groundwater” 4-channel video installation and “The River and the Grid” sequential drawing folio in Getty PST art exhibition “From the Ground Up: Nurturing Diversity in Hostile Environments,”, Armory Center for the Arts, Aug. 9, 2024- Feb. 23, 2025. | Photo: Yubo Dong</image:caption>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Groundwater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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